The year the blues was written down
The archive keeps the records; this page keeps the reading. Thirty-six pieces of writing about the blues published in the last twelve months — journal articles and books, magazine features, newspaper reporting, obituaries, and the news of what was found, acquired and sold. Every one was opened and checked on 12 November 2026, and every one is dated inside the window from 12 November 2025.
- 36pieces
- 8scholarship
- 14magazines
- 14news & releases
Scholarship
8 itemsThe academic year brought the blues into popular music studies, urban geography, American music history and the study of Coltrane’s composing. The strongest run is on the archive itself: two books that treat a city’s studios and a hemisphere’s music as one subject.
Journal articles 6
-
Journal article Subscription
“You’re About the Only One That Really, Really Plays Like Junior”: The Black Keys, Third Person Authenticity, and the Primitive Blues Subject
Reads the Black Keys’ claims to authenticity through their appeals to Junior Kimbrough and the long-running trope of the “primitive” blues subject.
-
Journal article Open access
My Daddy Rocks Me: Queer Voice and Desire in the Music of Frankie “Half Pint” Jaxon
Close readings of Jaxon’s 1920s and 1930s sides argue that he bent blues song form to voice queer desire — presented as the first study devoted to a queer Black male blues musician.
-
Journal article Free to read
The Blues Sentence: A Topology of John Coltrane’s Blues Heads
Proposes the “blues sentence” as a formal type for Coltrane’s composed blues heads, distinct from riff blues, with hybrid and through-composed variants.
-
Journal article Subscription
I Got a Song I Can Sing: A Thematic Analysis of Blues Epistemologies
Systematises Clyde Woods’s idea of a “blues epistemology”, arguing that blues cultural production maps alternative pasts, presents and futures for marginalised communities.
-
Journal article Subscription
Placemaking and the blues in racialized, ethnic, and immigrant neighborhoods
Takes blues epistemology into urban geography, asking how racialised and immigrant neighbourhoods make space, and recasting cultural entrepreneurship as a form of care.
-
Journal article Open access
Blues as Cultural Resistance: Representing Black Struggle through Music in Sinners 2025
Reads the blues score of Ryan Coogler’s Sinners as a “hidden transcript” of Black resistance under Jim Crow.
Books 2
-
Book Purchase
Avenue Breakdown: Black Music and the Recording Industry in Shreveport
A history of Shreveport’s postwar black music scene and the studios and labels around it, 1948–1988, built on twenty-four years of interviews with the musicians and producers who made it.
-
Book Purchase
Samba, Blues and Jazz: Love, Money and Race in Brazilian and American Music
Compares the origins and social meanings of samba, jazz and the blues, tracing race, class, money and gender across the three traditions and their Parisian reception.
Magazines & long reads
14 itemsOne story dominated the magazine year: the restoration of Ma Rainey’s Paramount recordings, which drew five separate appraisals and a Smithsonian report on the engineering behind them. The rest of the shelf runs from Buddy Guy at eighty-nine to a juke joint at the crossroads.
Profiles & interviews 6
-
Profile Metered
Buddy Guy on ‘Sinners,’ His Career, and Still Playing the Blues
A long profile pegged to Sinners, his album Ain’t Done With the Blues and the club residency that keeps him on a stage at eighty-nine.
-
Scene report Free
Get the Blues at Ground Zero Blues Club
The Clarksdale juke joint at the crossroads, and the open-stage culture that keeps the Delta circuit running.
-
Profile Free
Lucinda Williams Has Had Enough
A profile-cum-appraisal of World’s Gone Wrong and the Delta sources — the Mississippi Sheiks among them — behind its minor-key protest.
-
Profile Free
SPOTLIGHT: Miko Marks Finds Her Voice on ‘Hell or High Water’
Marks on making the first blues album of a decades-long roots career, and on having grown up assuming the blues had to be sad music.
-
Interview Free
Meet the Real-life Elwood Blues: Harp Player Charlie Musselwhite
Musselwhite from Memphis street singers to the Chicago South Side, and the late collaborations that brought him to a new audience.
-
Profile Free
He Chose the Blues. Now He’s Trying to Save It — Sean “Bad” Apple
The Bad Apple Blues Club owner on learning from Mississippi masters, and on the culture shifting around the music he books.
Reissues & the archive 7
-
Reissue review Free
The lost legacy of Ma Rainey, the mother of the Blues
An appraisal of the new Rainey box that places her pioneering career a century on — and notes Dick Spottswood’s 2026 biography, Ma Rainey’s Traveling Blues.
-
Reissue review Free
Ma Rainey, Fats Waller and the Jazzy, Bluesy, Showy Roar of the Roaring ’20s
Pairs Rainey’s complete Paramount recordings with Fats Waller, arguing for the coarseness and the ambition of 1920s recording.
-
News feature Free
Audio Engineers Restored Hidden Notes and Revealed Lost Instruments in This New Treasure Trove of Songs by the Pioneering ‘Mother of the Blues’
On the restoration work behind the Rainey set — recovered test pressings, unissued alternates, and what cleaner transfers reveal in the accompaniment.
-
Reissue review Free
Graded on a Curve: Ma Rainey, Mother of the Blues: The Complete Paramount Recordings 1923–1928
A collector’s appraisal of the remastering and the annotations, and of how generations of poor transfers held back Rainey’s reputation.
-
Reissue essay Free
Ma Rainey – The Complete Paramount Recordings, 1923-1928
Places Rainey ahead of Charley Patton and Robert Johnson in the chronology, and on her control of her own catalogue.
-
Feature Subscription
I Can’t Be Satisfied: The History of Black Resistance and Protest Behind Muddy’s First Hit Record
Traces the phrase “I can’t be satisfied” from pre-recording-era sources through Lomax’s “I Be’s Troubled” to Muddy Waters’ 1948 hit, reading it as coded protest.
-
Archive feature Free
Alan Lomax Spent Years Traveling the Country to Record the Sounds of America. The Legacy of His Obsession Will Live Forever
An archival appreciation of Lomax’s collecting trips, including the sessions that gave Muddy Waters his first hearing of his own voice.
Columns 1
-
Column Partly paywalled
BEST OF BLUES: July 2026
The monthly blues column, leading on the Ma Rainey box with a case for her self-management and copyrights, then new releases.
News, obituaries & discoveries
14 itemsA hard year for the old guard: five deaths worth stopping for, among them a guitarist who carried the country blues circuit for sixty years and a producer who put Chicago blues on British shelves. Against that, the archive grew — Doc Pomus’s papers to the Library of Congress, Bobby Rush’s lost tapes back from a basement.
Obituaries 5
-
Obituary Free
John Hammond, Grammy-Winning Blues Guitarist and Singer, Dead at 83
Hammond, the guitarist and singer who spent six decades working the country-blues circuit his father helped document, died at 83.
-
Obituary Free
Mike Vernon obituary
The Blue Horizon founder, who recorded John Mayall, Eric Clapton and Fleetwood Mac and carried Chicago blues to Britain, died aged 81.
-
Obituary Free
Chicago Blues legend Cicero Blake dies at 90
Blake’s risqué “Dip My Dipper” became his signature song and carried a Chicago soul-blues career that ran from 1960s singles to festival stages.
-
Obituary Paywalled
Latimore, R&B Singer Known for ‘Let’s Straighten It Out,’ Dies at 86
A Blues Hall of Famer whose 1974 R&B No. 1 made him a fixture of southern soul-blues, he died at 86.
-
Obituary Paywalled
Cassandra Wilson, Star Jazz Singer, Dies at 70
The Mississippi-born singer, whose low voice was steeped in the blues of her home state and who reshaped blues-based jazz across two Grammy-winning decades, died in Jackson at 70.
Discoveries, acquisitions & sales 4
-
Radio report Free
Ma Rainey, the so-called ‘Mother of the Blues,’ can now be heard clearer than ever
Reports the 118-track Paramount recordings box and what restoration does for a voice that had come down to listeners through damaged 78s.
-
Archive find Free
Bobby Rush Archival Recordings Out Now
Long-lost mid-1970s Bobby Rush sessions, recovered from deteriorating reels, issued as a single — tapes Rush had not heard in nearly fifty years.
-
Acquisition Free
Library of Congress Acquires Manuscripts, Papers and Recordings of Rock & Roll Hall of Famer Doc Pomus
More than 450 non-commercial recordings and a lifetime of lyric manuscripts: the first “Save the Last Dance for Me” fragment, written on his wedding invitation, a Club Musicale tape with King Curtis and Mickey Baker, and a Pomus and Dr. John cassette work tape.
-
Auction Free
Lonnie Mack’s Flying V Sells for $550,000
The 1958 Gibson Flying V known as “Number 7”, sold with his 1962 Magnatone amp and stage strap as one lot, brought $550,000 in October 2026.
Awards & events 4
-
Awards Free
2026 Blues Music Awards Winners
The 47th Blues Music Awards, held in Memphis in May, with Ronnie Baker Brooks, D.K. Harrell’s Talkin’ Heavy and Buddy Guy’s Ain’t Done With the Blues among the winners.
-
Festival Free
The star of this year’s Blues Fest: Chicago’s Alligator Records, celebrating 55 years of championing the music
Bruce Iglauer’s Alligator Records, founded in 1971, was the honoured label of the 2026 Chicago Blues Festival.
-
Festival report Metered
Chicago Blues Festival: Living legends, longtime fans and a shout-out to Alligator Records
A report from the festival’s free Millennium Park weekend: a multi-generational crowd and a programme built around the Alligator anniversary.
-
Anniversary Free
Gunter Hotel to Celebrate 90th Anniversary of Robert Johnson’s Historic Recordings
San Antonio marks ninety years since Johnson’s 1936 sessions with three days of programming, 12–14 November 2026, during which his grandson Steven Johnson is to record in Room 414.
Press releases 1
-
Press release Free
Blues Veteran Buddy Reed Announces New Single “Everything”
Announces “Everything”, a single from Buddy Reed & The Rip It Ups released on 10 November 2026: a little over three minutes, built around Reed’s vocal and the band’s guitar-and-groove backing. Datelined Arcata, California.
How this was made
The window. Everything here was published between 12 November 2025 and 12 November 2026. Issue dates follow the publisher: a magazine dated July/August 2026 is listed under that date, not the day its website went up.
How each entry was checked. Every link was opened on 12 November 2026 and the headline, byline and date read off the page itself. Journal articles were checked against their DOI records in Crossref, which is also where two publication dates on this page were corrected. One address supplied by research turned out to be mistyped and returned no page; the correct one was found and used. Where a page sat behind a bot check, the item stayed only because its DOI record independently confirmed the title, authors and issue.
What is deliberately not here. The fifth edition of Blues and Gospel Recordings, the standard discography by Godrich and Dixon revised by Howard Rye and Chris Smith, is the publishing event of the year for anyone who works with 78s — but it ships on 16 November 2026, four days outside the window, so it waits for next year’s list. The 2026 Living Blues Awards results are also absent: the digital edition carrying them could not be read, so the winners could not be stated with confidence. Nothing is listed from Mojo, The Wire, Pitchfork, Harper’s or The New Yorker, not because they wrote nothing but because no blues-specific piece from those titles could be opened and confirmed in the window.
Not a bibliography. This is thirty-five pieces a reader can actually reach, not a complete index of the year’s blues writing. Paywalls and geography decide what a page like this can verify, and a magazine that keeps its archive offline keeps itself out of the list. Four entries are paywalled and marked as such; the rest are free or metered.
Why one entry is label copy. The Buddy Reed single announcement is a press release, not journalism, and it is labelled as one: the claims about the record are LaHooty Records’ own. It is here because a release date is part of the year’s record, and because the distinction between what a label says and what a reporter found out is worth keeping visible.
Corrections. If a link has rotted, a date is wrong, or a piece of the year’s writing is missing that should be here, tell the archive. Links are re-checked when the page is revised.